!['[REVIEW] The Beautiful Losses: Allegorical Prosody, Historical (Dis)Continuity, and the Long Shadow of Leonard Cohen', by D.M. Rice](https://images.squarespace-cdn.com/content/v1/59aef3bacd39c38dabcb0dc2/1696518155146-K5D3K24JR0R8TZNGKQLY/pexels-mart-production-7230418.jpg)
Fred Pollack's collection The Beautiful Losers appears to have pretenses toward a near-universal scope. This is its ambition, to representing the exacting precarity and simultaneously overwrought decadence of life in the contemporary world: class inequality, privilege, and the primacy of material power over ideological quibbles.
Read More